Phenomenological Clichés - Rúrí Sigríðardóttir Kommata
05/05 – 07/05
Vacillation between intellectual apprehension and application of life. Awe for the depth and height. The need for the straight haul of common street life.
What is phenomenology? Is it a mechanism of description in deconstruction? Is it a mechanism of answering those who are the least in fashion - contextually?
What is language? What if we didn't speak, only felt and did? How can we track art in its earliest space-time apposition? How can something primordial become only solitary and lose its communality? If so can happen, would this singularity uphold its cultural identity or would it reshape into something else?
I guess it's all a matter of a timeline and a perspective, expressed in language.
Everything has been made, seen, thought of; The drawing of a circle has been done;
But it doesn't matter to me. I want to draw anyways and listen to music and experience random probabilities and situationists and -isms and infinitudes and unalloyed experiences.
Rúrí Sigríðardóttir Kommata (b. 1991) is a Greek Icelandic multidisciplinary artist with a background in international affairs, curation and fine arts. Her primary focus is the egocentric experience, gendered behavior and, therefore, the translated identity. As a 90’s kid, her artistic work combines the mix n’ match of the digital with raw street pragmatism.
She observes her artistic work as a game. Vandalized psychology is the starting point of her go-kart race. Society’s misinterpretation of itself is the race. The exhibition is the final round circling her artistic ectoplasm. The audience is the trophy. Those who care are the judge.
She observes her artistic work as a game. Vandalized psychology is the starting point of her go-kart race. Society’s misinterpretation of itself is the race. The exhibition is the final round circling her artistic ectoplasm. The audience is the trophy. Those who care are the judge.
