Upcoming Exhibition
Opening on
September 17th
at 19:00
Winter Nights brings together Norwegian, Greek and Icelandic artists in an exploration of seasonal rituals, animist worldviews and ecological memory. Curated by Eleni Riga, the international exhibition considers the meeting point between Nordic and Southern animisms, reflecting on climate change and ecological grief.
The exhibition was first presented at BO (The Association of Visual Artists Oslo) and at Femidomen in September–October 2025 with the support of Arts and Culture Norway and the Norwegian Embassy. It takes its title from Vetrnætr, the pre-Christian Nordic ritual marking the transition into winter. Traditionally held after the harvest, the gathering offered a final moment of communal exchange before the darkness and cold winter. It served both practical and spiritual purposes: strengthening social bonds and solidarity, while acknowledging relationships with the land, ancestors and other-than-human forces.
Exactly one year afterwards, for the presentation at the Living Room, the exhibition expands beyond winter itself to reflect on cyclical time, seasonal transformation and our relation with nature. It looks toward traditions and knowledge shaped by humanity’s repeated encounters with ecological crises and examines what they might offer today.
The next chapter in Iceland has started with the research trip of Eleni Riga and Eva Ísleifs in collaboration with A-DASH supported by Culture Moves Europe and The Fjarðabyggð Cultural Center.
Participating artists:
Marthe A AndersenTasos Gkaintatzis
Úna Hamilton Helle
Miriam Hansen
Eva Ísleifs
Maria Nikiforaki
Viktor Pedersen
Sarah Sikorie
Elektra Stampoulou
Simon Daniel Tegnander Wenzel
Curated by
Eleni RigaProduced by A–DASH & Living Room.
Opening
Thursday
September 17
at 19:00
Finissage
10/10/2026
the exhibition will remain open until 21:00 with a curatorial tour at 20:00Duration:
17/09-10/10/2026Visiting hours:
Thursday + Friday 18:00-21:00Saturday 13:00-18:00
or by appointment.
The exhibition is supported by:
Hellenic Republic Ministry of CultureOCA – Office for Contemporary Art Norway
The Norwegian Embassy in Athens
The Icelandic Embassy in Copenhagen
Icelandic Art Center
Transeuropa
[PRESS KIT]
Previous exhibitions
↓
Childhood often carries an illusion of invulnerability. Surrounded by caregivers, protected by the limited knowledge of what loss, pain, and mortality is, one experiences the world through a sense of relative permanence. Yet, adulthood announces itself through moments of rupture. The illness of a parent for example provokes the realization of bodily fragility and creates a sudden reversal of roles within a family: the receiver of care becomes the giver. And suddenly, the child of the family finds themselves caring for those who once cared for them.
At the same time, the numerous world crises they may experience from a young age condemn them to an early and hasty maturity, leaving them with the numb feeling of too many responsibilities too soon, and with childhood and adolescence years not lived as they were meant.
At the same time, the numerous world crises they may experience from a young age condemn them to an early and hasty maturity, leaving them with the numb feeling of too many responsibilities too soon, and with childhood and adolescence years not lived as they were meant.
See more ︎︎︎
The Minimal Effort project began to take shape, both conceptually and aesthetically, in the summer of 2024, initiated by curator Elli Leventaki and visual artist Dimitris Kontodimos, with the aim of organizing a group exhibition centered on artworks-gestures as alternative methods of artistic production and expression. Starting from Marcel Duchamp’s Fountain, but also taking into account more recent examples, such as Maurizio Cattelan’s Comedian, the exhibition draws on the logic of ready-mades and conceptual interventions, not as artworks that are “easy” to create, conceive, or select, but rather as pieces that can convey a wide range of meanings in a concise manner.
This endeavor aims to take a critical stance toward practices such as intensification, flexibilization, and overwork, which are often promoted as healthy in contemporary Western societies. By contrast, concepts such as “pause” or “standstill” tend to carry negative connotations or are even perceived as a kind of luxury today. This social condition significantly influences artistic production at all levels, because there is no art without so-called “laziness”, as creative people always need time to reflect, experiment, fail, and start over from the beginning…
This endeavor aims to take a critical stance toward practices such as intensification, flexibilization, and overwork, which are often promoted as healthy in contemporary Western societies. By contrast, concepts such as “pause” or “standstill” tend to carry negative connotations or are even perceived as a kind of luxury today. This social condition significantly influences artistic production at all levels, because there is no art without so-called “laziness”, as creative people always need time to reflect, experiment, fail, and start over from the beginning…
See more ︎︎︎
You go through the day collecting your Freudian ‘day residues’ - fragments of memories, experiences and thoughts - which come together in a dream the following night, creating a new narrative, and a new experience. In a similar way, the exhibition No scrap no dream gathers scraps of materials from the street that come together in a new narrative, a dream state of the wanderer, who, after a long day in the city, repurposes all these scraps to interchangeable goods. Wandering through the city of Athens, one comes across plenty of kiosks - περίπτερα. Many remain active and full but bound to disappear, while others stand out, empty, like relics. Around them, construction materials of different generations accumulate in the dumpsters of renovation and demolition sites. This imagery leaves the subconscious with a sense of fragmentation and abundance of matter. As a miniature reflection of the broader financial system they are part of, periptera create circles of interaction around them in their most minimalistic version…